Ice Cube - Death Certificate (1991).rar. Ice Cube - Laugh Now, Cry Later (2006).rar. Ice Cube - The Predator (1992).rar.

There's no question that I am first and foremost a East Coast fanatic, but that doesn't mean that there's not plenty of classic music from the West Coast and the South that I feel have done just as much for the culture as the biggest names in New York - guys like Dr. Dre, Snoop Dogg, N.W.A., Ice Cube, Geto Boys, Scarface, DMG, OutKast, Ras Kass, Souls Of Mischief and the Hiero's, and newer guys like Fashawn to name a few.

Lately I've been on a real early Gangsta trip, dusting off especially the classic Priority and Death Row records, a long with the Geto Boys and its solo members. One legend in particular that I might have listened a little more to the last few weeks are Ice Cube, and his four first albums which are all either classic or real straight up bangers. Having listened so much to 'AmeriKKKa's Most Wanted', 'Kill At Will EP', 'Death Certificate', The Predator' and 'Lethal Injection' lately, I still feel that my thirst for classic Cube still wasn't quenched and his later albums, while having its moments, just don't match his original early-to-mid-'90s output. Luckily for me and and fellow early Cube fans the many singles released promoting the four albums mentioned above came packed with a lot of hot B-sides, the ocassional remix, and Cube was spitting some hot guest spots on cuts by people like Yo-Yo, Da Lench Mob, Ice-T, 2Pac, King Tee, Willie D, Scarface, and KAM, I have put together the first Lost Tapes compilation since the hiatus for y'all. Representing the best the West ever had to offer, 'Another Lethal Injection (1990-1994)' features 18 incredible cuts with Cube in the centrum, going over beats mostly as funky as the shit he grabbed for his own album - giving credence to the rumor that Cube wasn't only in it for the money, but always wanted to show his best side to the world.

This compilation is a must hear, not only for the nostalgia but for music that are timeless and still hold up to this day. Press play and get your G on! Anonymous There's an unreleased Cube song from the 'The Predator' era called 'Who's The Man' produced by DJ Muggs and remains in his possession. End Of An Era - Ice Cube's Lethal Injection 20 Years On - There was 3 remixes for Ghetto Bird: One by QDIII which played as an intro instrumental on the 'Menace II Society' movie. QDIII claimed Cube, Eazy-E and Too-Short all tried to buy that beat whilst it was hot, but the record label did not have a clue. Criminally remains in a vault somewhere. Dr Jam and Madness4Real remixed the other two: Dr Jam Remix (Used to cruise around in GTA San Andreas to this, funk is off the roof) Madness4Real Remix https://www.youtube.com/watch?v=jmo5XYibIyk.

Country: U.S.A Genre: Hip-Hop Style: Gangsta Rap © 1992 Priority Records Released in the aftermath of the 1991 L.A. Riots, radiates tension. Infuses nearly every song, and certainly every interlude, with the hostile mood of the era.

Even the album's most laid-back moment, 'It Was a Good Day,' emits a quiet sense of violent anxiety. Granted, 's previous albums had been far from gentle, but they were filled with a different kind of rage. On both (1990) and (1991), he took aim at society in general: women, whites, Koreans, even his former group members in. Here, is more focused. He found a relevant episode to magnify with the riots, and he doesn't hold back, beginning with the absolutely crushing 'When Will They Shoot?' The song's wall of stomping sound sets the dire tone of and is immediately followed by 'I'm Scared,' one of the many disturbing interludes comprised of news commentary related to the riots.

Intuit quickbooks activator v06 build 70 test beast download free software progr. It's only during the aforementioned 'It Was a Good Day' that somewhat alleviates this album's smothering tension. It's a truly beautiful moment, a career highlight for sure. However, the next song, 'We Had to Tear This Mothafucka Up,' eclipses the relief with yet more calamity. By the time you get to the album-concluding 'Say Hi to the Bad Guy' and its mockery of policeman, hopelessness prevails. Is a grim album, for sure, more so than anything would ever again record. In fact, the darkness is so pervasive that the wit of previous albums is absolutely gone.

Besides the halfhearted wit of 'Gangsta's Fairytale, Pt. 2,' you won't find any humor here, just tension. Given this, it's not one of 's more accessible albums despite boasting a few of his biggest hits. It is his most serious album, though, as well as his last important album of the '90s. The 2015 pressing is not a remaster, it is a reissue of the original 1992 pressing. That's why they sound the same.